Process. Perspective. The things worth saying. Writing from inside the practice — on AI, creativity, digital art, and the spaces where technology and human imagination meet.
There was a period when every piece I made was chasing something I thought looked good. It took a while to realize I was aiming at the wrong target entirely.
People ask me about process constantly. The honest answer is that no two pieces move through it the same way. But there are constants.
I started on a Mac in 1990. That means I've watched every major shift in digital creative tooling happen in real time.
The market for AI-collaborative art is being shaped right now — mostly by people who don't fully understand what it is.
There are moments in the practice when intuition runs out — not because the work is finished, but because you've reached the edge of what you can see.
Every piece I've made since 1990 is an attempt to answer the same question. Not the same surface question — the same deep question underneath.